Writing my first book turned out to be easier than I had expected. You so often hear about the agonies of writer’s block, and hours spent staring at the ceiling, looking for inspiration. I did not experience that. Sometimes I didn’t feel inspired to write, but I always had words to put on the page.

That stems from the fact that despite it being my first book, this is not my first time at the rodeo. I’ve been writing for most of my life and learning along the way. One book that made a huge difference was The Artist’s Way by Julia Cameron. I never made it through the book, but I made it far enough to benefit. One exercise has you write three pages of stream-of-consciousness every morning. It might be, “There is nothing in my brain. Oh, I need eggs. Shoot, I don’t have time to go to the grocery store. I can wait. Look at that cute guying walking his dog.” It really didn’t matter what you wrote, you were to just write. That exercise teaches you one main thing. Your words aren’t that precious. They flow constantly in a never-ending stream. Just put them on paper, they can always be fixed later.

As a writer, that was eye-opening. I had agonized over words in the past, and often stopped writing because I couldn’t find the right ones. No more! My method became to spit it out the best you can and fix it later.

The other book that helped me was On Writing by Stephen King. With 25 years of writing screenplays, I had become a slave of the outline. When you have to cram an entire story into just two hours, getting all the beats right is not only difficult, but crucial. It’s like doing a Rubik’s cube. But, for me, the outline took all the joy out of writing.

Stephen King taught me to let go of the outline and let the story tell itself. Don’t worry about where it’s going. Don’t worry about structure. Just let the story unwind. Let it sit, then when you come back to read it, you will see obvious themes. Rewrite everything to those themes and voila… you have a really good, well-crafted story. Now working in novels, and not tightly structured screenplays, I can more easily follow his advice.

Cameron and King were the foundation of the easy flow of my first book. It was great, but the editing process showed me the cracks in my foundation.

With book one I did not edit. I didn’t want to slow down the flow. However, when I got to the end of a 75,000 word novel, I was completely overwhelmed by the amount of editing needed. I didn’t know where to start. I was too impatient to get it to an agent and publisher and couldn’t seem to take the time I needed to really evaluate and fix the manuscript… especially since my “just dump it on the page” method left a lot to be fixed. Thankfully I have a miracle worker of an editor who did all my heavy lifting for me this time around.

Last weekend, with the major editing behind me on book one, it felt like it was time to turn my mind to book two. I sat down and started to let the story flow again. Oh, what joy! Much to my surprise, I discovered that once again, my process is adapting and evolving. In the past it was common to write 2000 words a day. This time around, 1000 words seems to be the mark to hit. Now, I actually catch myself writing in the passive voice. I see where a verb could be more active. Or dialog can have more impact. I stop, consider my sentence, and rework it. My editor had warned me about this, but so far I don’t feel like it’s a problem. It slows me down, yes, but it doesn’t stop the flow. In some ways, it makes it far more enjoyable. Like savoring the scene instead of racing to put it down.

And this time I will set aside some time each writing day to go back and edit the previous day’s work. That way when I get to the end, I won’t be quite so overwhelmed. My first draft will be a much more polished, ready-to-publish, work.

Everything in life is a process. Just because you’re good at something today doesn’t mean you can’t be better at it if you adapt and evolve. Even this old dog is learning a few new tricks.